15 great classical composers who also happened to be gay
1 June 2021, 9:24 | Updated: 1 June 2021, 12:42
From Copland to Corelli, we celebrate some of the greatest LGBTQ+ composers in classical music history.
Whether they were able to be out and honest in their own lifetimes or not, we want to take the opportunity now to celebrate the incredible contributions queer composers have made to the history of classical music.
Read more: 9 Black composers who changed the course of classical music history
Benjamin Britten (1913-1976)
Edward Benjamin Britten is one of the finest composers of English operas, choral works, and songs, many of which he wrote for his life partner, tenor Sir Peter Pears.
Britten started writing music as young as nine, when he wrote an oratorio. He studied under Frank Bridge, John Ireland and Arthur Benjamin among others, and was also a fine pianist.
His ground-breaking operas, which include Peter Grimes (1945), and The Turn of the Screw (1954) – and his famous War Requiem – tackle contemporaneous issues around psychology and post-war trauma, as well his own homosexuality, which was illegal in Britten’s lifetime.
Britten founded the Aldeburgh Festival in Suffolk with Pears and librettist Eric Crozier.
Dame Ethel Smyth (1858-1944)
Ethel Smyth was a prolific composer and an active member of the women’s suffrage movement, and she made no secret of her relationships with women.
Born in South-East London, Smyth studied at the Leipzig Conservatory and there met composers that included Grieg, Tchaikovsky, Clara Schumann and Brahms. Her best-known works are the opera The Wreckers and her Mass in D.
Her 1911 song, ‘The March of the Women’, which had lyrics by Cicely Hamilton, was dedicated to movement leader Emmeline Pankhurst – documented to have been a lover of Smyth’s – and became the official anthem of the Women’s Social and Political Union and women’s suffrage activism around the world.
At the age of 71 Smyth, by all accounts, met and fell in love with Virginia Woolf (who would have been in her 40s at the time). Woolf described it as “like being caught by a giant crab”, for better or worse...
Francis Poulenc (1899-1963)
As well as being one of the first openly gay composers full stop, Poulenc also didn’t eschew his sexuality in the context of his religious faith.
His compositions spanned from intimate chamber sonatas with sublime, twisting melodies and delicate impressionist harmonies (think the 1957 Flute Sonata), to his Piano Concerto and epic one-act opera for soprano and orchestra, La voix humaine.
Music scholars continue to debate whether or not the diverse range of styles in his music serve as an outward representation of an inner moral conflict in Poulenc.
Pyotr Ilyich Tchaikovsky (1840-1893)
Tchaikovsky was born in Votkinsk, a small town in the Russian Empire, and began composition lessons with Anton Rubinstein in 1861. His great works include his ballets like Swan Lake, The Sleeping Beauty, and The Nutcracker, and his 1812 Overture.
He had a disastrous marriage to one Antonina Miliukova in 1877 and attempted suicide. Tchaikovsky was gay at a time when it was illegal in Russia. His marriage was designed to stop people gossiping about his love life – but it turned into a source of misery and torment for both him and Miliukova.
Tchaikovsky apparently fell in love with his own nephew Vladimir Davydov, a complication that was cut short by the older man’s tragic death from cholera – or another cause if other theories are to be believed – in 1893.
George Frideric Handel (1685-1759)
Handel’s choral and operatic compositions remain among the most influential pieces ever written – from the enduringly popular Messiah, to the operas Rinaldo and Agrippina – not to mention his fine orchestral, chamber and instrumental works.
The great composer was born in Halle, Germany, and studied music from a young age. He moved to England as an established composer, after English audiences particularly took to his 1711 opera Rinaldo.
He was believed to have been gay, moving in circles in Italy and London where same-sex desire was accepted. Music historian Ellen Harris leads on the case for Handel’s homosexuality, arguing that his cantatas exhibit a clear homosexual subtext in her book Handel as Orpheus.
Jean-Baptiste Lully (1632-1687)
The operatic composer and violinist Jean-Baptiste Lully worked in the court of King Louis XIV and was an ambitious figure in court and operatic music, dominating French opera in the 17th century.
As well as being known for rising up influential ranks impressively quickly, Lully is thought to have had quite the colourful private life, embarking on affairs with both men and women – to the extent it got him in hot water with the King.
Lully died relatively young, succumbing to a fatal infection in a wound on his foot, inflicted by his own conducting stick.
Arcangelo Corelli (1653-1713)
Corelli was a contemporary of both Lully and Handel (see above), moving in the same sexually-fluid circles as them. And like them, he was associated with gay clergyman, Cardinal Pietro Ottoboni.
The Baroque composer and violinist is known for his chamber sonatas and concerti grossi, and has gone down in history for refusing to play a section of Handel’s oratorio, The Triumph Of Time And Truth, because a violin note went higher than Corelli believed appropriate for the instrument.
Frederick the Great (1712-1786)
King Frederick II of Prussia once wrote “Fortune has it in for me; she is a woman, and I am not that way inclined” following a particularly bitter defeat in battle.
History has documented the King as having an early affair with Peter Karl Christoph von Keith, a page boy of his father Frederick William I’s, as well as Lieutenant of the Prussian Army, Hans Hermann von Katte, whom Frederick William had killed in response to these revelations about his son.
Frederick the Great composed several concertos and sonatas, and was also a flautist who studied with Johann Joachim Quantz.
Aaron Copland (1900-1990)
New York-born composer, Aaron Copland, was one of the many renowned composition students of Paris Conservatoire’s Nadia Boulanger, whose roster of composition, performance and conducting students pretty much dominated 20th century music – from Astor Piazzolla, Philip Glass and Quincy Jones, to Daniel Barenboim and John Eliot Gardiner.
Copland, whose best-known works include Appalachian Spring and Fanfare for the Common Man, was a famously private man, but unearthed letters between him and artist Prentiss Taylor indicate an intimate relationship. Copland also didn’t hide the fact he lived and travelled with other men, including photographer Victor Kraft and artist Alvin Ross.
Samuel Barber (1910-1981)
Unlike Copland, US composer Samuel Barber made no effort to keep his homosexuality out of explicit view and his life partner was composer Gian Carlo Menotti, who he studied with at the Curtis Institute.
Barber won the Pulitzer Prize for Music twice – in 1958 for his opera Vanessa, and again in 1963 for his Piano Concerto.
His Adagio for Strings was one of the first works by an American composer to be championed by the indomitable Arturo Toscanini, and featured famously in Oliver Stone’s 1987 film, Platoon.
Gian Carlo Menotti (1911-2007)
Not as much of a household name as his life partner Samuel Barber (see above), Italian composer Gian Carlo Menotti was no less lauded for his works. He was also a Pulitzer Prize-winner, having earned the accolade for his operas The Consul and The Saint of Bleecker Street.
He founded the Spoleto Festival in the US in 1958, and 10 years later expanded it to the Melbourne Spoleto Festival, now known as the Melbourne International Arts Festival.
Leonard Bernstein (1918-1990)
Leonard Bernstein also studied at the Curtis Institute with Barber and Menotti (see above), and although he had an on-again-off-again relationship with actor Felicia Cohn Montealegre and eventually married her, he was openly gay.
Montealegre herself wrote publicly about it in her book, The Bernstein Letters, “you are a homosexual and may never change – you don’t admit to the possibility of a double life, but if your peace of mind, your health, your whole nervous system depend on a certain sexual pattern what can you do?”.
And Bernstein’s West Side Story collaborator Arthur Laurents is known to have called Bernstein “a gay man who got married”, stating, “He wasn't conflicted about it at all. He was just gay.”
Franz Schubert (1797-1828)
In his short life – he died even younger than Mozart, at just 31 – the great Romantic composer Franz Schubert composed 600 Lieder (songs), nine symphonies and numerous other large and smaller-scale works.
In 1989, music historian Maynard Solomon suggested (controversially at the time), that Schubert’s song lyrics carry the evidence that Schubert was romantically attracted to men – something that has been hotly contested, including by historian Rita Steblin who believes Schubert was “chasing men”. Others have picked up on the former theory more recently, but it seems the Jury is still out.
John Cage (1912-1992)
John Cage – who famously “wrote” 4 minutes and 33 seconds of silence to explore concert hall ambience and what music actually means – married artist Xenia Andreyevna Kashevaroff, the daughter of a Russian priest, in 1935.
But before that, Cage had had an ongoing relationship with Don Sample, as well as an affair with the wife of architect Rudolf Schindler, Pauline Gibling – so his sexuality was clearly fluid.
Frédéric Chopin (1810-1849)
History writes Chopin as having female love interests, including French novelist Aurore Dupin Dudevant AKA George Sand, soprano Konstancja Gładkowska and artist Maria Wodzińska.
But, a journalist Moritz Weber argued in November 2020, that could well be history glossing over the fact that Chopin was actually much more interested in members of his own sex.
“The fact that Chopin had to hide part of his identity for a long time, as he himself writes in his letters,” Moritz Weber says, “would have left a mark on his personality and his art.” In letters to school friend, Tytus Woyciechowski, Chopin wrote rather explicitly, “You don’t like being kissed. Please allow me to do so today. You have to pay for the dirty dream I had about you last night.”
Read more: Chopin’s love letters to men ‘deliberately’ hushed up, claims new programme